1844-1927  Related Paintings of Vasilii Polenov :. | Unknow work 5 | Martini | Roger delivrant Angelique | Portrait of Praskovia Tchaokovskaia | European city landscape, street landsacpe, construction, frontstore, building and architecture. 187 |
Related Artists:
adriaen van ostade
Adriaen van Ostade (baptized as Adriaen Hendricx December 10, 1610 ?C buried May 2, 1685) was a Dutch genre painter. He was the eldest son of Jan Hendricx Ostade, a weaver from the town of Ostade near Eindhoven. Although Adriaen and his brother Isaack were born in Haarlem, they adopted the name "van Ostade" as painters. "Peasants in a Tavern" (c. 1635), at the Alte Pinakothek, MunichAccording to Jacobus Houbraken, he was taught from 1627 by Frans Hals, at that time the master of Adriaen Brouwer and Jan Miense Molenaer. At twenty-six he joined a company of the civic guard at Haarlem, and at twenty-eight he married. His wife died in 1640, and he speedily re-married. He again became a widower in 1666. In 1662 he took the highest honors of his profession with the presidency of the painters Guild of Saint Luke in Haarlem. Among the treasures of the Louvre is a striking picture of a father sitting in state, his wife at his side, surrounded by his son, five daughters, and a young married couple in a handsomely furnished room. By an old tradition, Ostade here painted himself and his children in holiday attire; but the style is much too refined for the painter of boors, and Ostade had but one daughter.
Paul Frenzeny
French artist , ca.1840-1902
Hans Burgkmair
(1473 - 1531) was a German painter and printmaker in woodcut. Burgkmair was born in Augsburg, the son of painter Thomas Burgkmair and his son, Hans the Younger, became one too. From 1488 he was a pupil of Martin Schongauer in Colmar, who died during his two years there, before Burgkmair completed the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491 he was working in Augsburg, where he became a master and opened his own workshop in 1498. Hollstein ascribes 834 woodcuts to him, mostly for book illustrations, with slightly over a hundred being "single-leaf", that is prints not for books. The best of them show a talent for striking compositions, and a blend, not always fully successful, of Italian Renaissance forms and underlying German style. From about 1508 he spent much of his time working on the woodcut projects of Maximilian I until the Emperor's death in 1519. He was responsible for nearly half of the 135 prints in the Trumphs of Maximilian, which are large and full of character. He also did most of the illustrations for Weiss Kunig and much of Theurdank. He was an important innovator of the chiaroscuro woodcut, and seems to have been the first to use a tone block, in a print of 1508.His Lovers Surprised by Death (1510) is the first chiaroscuro print to use three blocks.and also the first print that was designed to be printed only in colour, as the line block by itself would not make a satisfactory image. Other chiaroscuro prints from around this date by Baldung and Cranach had line blocks that could be and were printed by themselves.He produced one etching, Venus and Mercury (c1520),etched on a steel plate, but never tried engraving, despite his training with Schongauer.